One wonders if Colin Meloy et al get together once every few years and say to themselves, “As The Decemberists, what is the weirdest thing we can do next?” or if The Decemberists are just quirky people who get together and say, “We should really write an operetta. About fawns.”
Regardless, friends, The Decemberists. I’m nuts about ‘em. What some pass of as a self-conscious explosion of the emo hipster fedora persona, I like to think of as a joyous, innovative, uninhibited, artistic process that we’ve been privileged to listen to. When I found out that The Decemberists’ latest album (Hazards of Love) was an operetta, I was nervously curious. Perhaps, having signed with a major label, they were over-compensating with something mildly unpalatable to get back their indie cred? Maybe they’ve just gone bananas?
No! It took two listens, but Hazards of Love thoroughly won me over, and assured me that the band was still the brilliant, absorbing band I loved. It’s the story of William, a fawn by day and man by night, and Margaret, who is quite possibly a forest fairy. They fall in love, and start having nightly woodland dalliances, and the Queen of the forest – who rescued William when he was a baby and turned him into a fawn – is all mad. But she agrees to let him have one more night with Margaret, he will return to her in the morning (to die? It’s unclear). But then! Margaret is abducted by The Rake, who sings a lovely song about how he killed all his children, and then whisks Margaret away. This is all very convenient for the Queen, who helps The Rake get across the rushing river, happy to get Margaret out of the picture. But lovesick William goes inevitably after Margaret, making a deal with the river that if he can cross safely, and rescue Margaret from danger, they will come back and duly drown later. I don’t mean to spoil the ending, but yeah, they drown. But they drown kissing! So…love!
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