Throughout December CHIRP Radio presents its members’ top albums of 2011. The next list is from DJ and Assistant Fundraising Director Michelle Nadeau.
(Click here to get the complete list of CHIRP Radio members’ picks.)
It almost makes me feel yucky how much I’ve listened to Yuck in 2011, pun not intended. But why should I? They’ve earned their place on my playlists! Maybe it’s their delicious 90’s throwback garage rock sound or perhaps it’s Daniel Blumberg’s amazing fro that instantly reminds you of Sideshow Bob (not in a super creepy way, though). I cannot wait to hear what this London group does next.
Staying with the theme of amazing UK-ness, but completely changing, well, everything, the music of James Blake has had a huge impact on 2011. Not only has he stretched the genre of dub-step into a calmer territory, much more accessible to all, but the kid is brilliant! At the time of the release in February, he was 21! And now, he’s a household name. Well, a household name in my shabby apartment.
To start, I’ve always liked Annie Clark. Not only does she have a beautiful voice, but the sounds she creates in her music are wonderfully obscure, albeit sometimes out of place in my life. That was until…she released the beauty that is Strange Mercy. Incredibly eerie and at times makes you feel awkward (“I’ll make a living telling people what they want to hear”, “If I ever meet that dirty policeman who roughed you up”), Annie Clark has found a permanent place in my heart and my Google Music.
Perfect. Epic. Thank you Anthony Gonzalez for bringing this gem into my world. Snowboarding film soundtracks around the world rejoice!
Yes, I’m from Chicago. Of course I like Wilco. And I love Jeff Tweedy (did you see the YouTube video of his renditions of The Black Eyed Peas at the Hideout? Priceless). So I’m automatically inclined to own this album on vinyl, cd and mp3. But, the best part about it all? This album rocks. Amazing. All I will say is…the bookend tracks changed my fall. But no, I don’t have a Wilco sticker on my car, thanks for asking.
I’m proud to say that Cut Copy is responsible for my nominee of “Most Fun Show of the Year” at the Pitchfork Music Festival. These Aussies sure know how to get the crowd going! It also doesn’t hurt that this 2011 release oozes of new wave-ness and pop, both sounds are core to my heart.
I’ll be honest, before this release, I didn’t exactly know a ton about Stephen Wilkinson. Well, if I’m being honest, I still don’t quite know much about him. But I do know that I have continually been recommending this incredible mix of pop and ambient to listeners and friends worldwide.
This album received a lot of press. And why shouldn’t it have? This album hit #1 in the charts and brought The Decemberists to an almost untouchable level. They probably won’t be doing much touring in the likes of Schuba’s anymore. But in other cool news, I heard on NPR that one of the tracks is literally about nothing. Absolutely nothing. The words don’t even make sense. Shoot, The Decemberists don’t need to make sense to make glorious music. They just do.
I was slightly saddened to have Fleet Foxes headline Saturday at Pitchfork this year. Especially because the 2010 headliner was LCD Soundsystem. ‘Nuff said. But, I was pleasantly surprised to see how well they performed under that pressure and the sparse Chicago stars. I found the album getting more and more playtime in my collection and it turned out to be the perfect not-quite-so-much pop album that was perfect in more that 13 different moods.
Psych-prog-rock from Chicago. Need I say much more? Smooth, deep, guitar, bass or drone, these guys have got it figured out. These tracks bring you somewhere deep in your brain and leave you there for anywhere from 6-15 minutes.The work of the Chicago Independent Radio Project is supported in part by a generous grant from the Crossroads Fund. More information at crossroadsfund.org.
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